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Likeness and Presence: History of the Image Before the Era of Art de Hans Belting

Descripción - Reseña del editor Before the Renaissance and Reformation, holy images were treated not as 'art' but as objects of veneration which possessed the tangible presence of the Holy. In this book, Hans Belting traces the long history of the sacral image and its changing role in European culture. It looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. Contraportada Before the Renaissance and Reformation, holy images - the only independent images then in existence - were treated not as 'art' but as objects of veneration. The faithful believed that these images, through their likeness to the person represented, became a tangible presence of the Holy and were able to work miracles, deliver oracles, and bring victory on the battlefield. In this magisterial book, one of the world's leading scholars of medieval art traces the long history of the image and its changing role in European culture. Belting's study of the iconic portrait opens in late antiquity, when Christianity reversed its original ban on images, adapted the cult images of the 'pagans', and began developing an iconography of its own. The heart of the work focuses on the Middle Ages, both East and West, when images of God and the saints underwent many significant changes either as icons or as statues. The final section of Likeness and Presence surveys the Reformation and Renaissance periods, when new attitudes toward images inaugurated what Belting calls the 'era of art' that continues to the present day - an era during which the aesthetic quality has become the dominant aspect of the image. Belting neither 'explains' images nor pretends that images explain themselves. Rather, he works from the conviction that images reveal their meaning best by their use. Likeness and Presence deals with the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images. Recognizing the tensions between image and word inherent in religion, Belting includes in an appendix many important historical documents that relate to the history and use of images. Profuselyillustrated, Likeness and Presence presents a compelling interpretation of the place of the image in Western history.

Detalles del Libro

  • Name: Likeness and Presence: History of the Image Before the Era of Art
  • Autor: Hans Belting
  • Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
  • Tamaño del archivo: 17 MB
  • Tipos de archivo: PDF Document
  • Idioma: Español
  • Archivos de estado: AVAILABLE


Descargar Likeness and Presence: History of the Image Before the Era of Art de Hans Belting libros ebooks

David Freedberg. Power of Images-French Preface / Immanuel ~ Though I do not, for one moment, consider the image to be an ever-present reality to which mankind has responded in ever the same way, as Belting maintains in his foreword to the English edition of his book, entitled Likeness and Presence. A History of the Image before the Era of Art, Chicago: The

Belting / Imagen / Percepción / Prueba gratuita de 30 días ~ Likeness and presence: A history of the image before the Era of Art, Chicago, Kunstgeschichte. Eine Einführung, Berlín, (en colaboración con Heinrich Dilly y Wolfgang Kemp) Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst, Munich, Das echte Bild. Bildfragen als Glaubensfragen, Munich, Anthropologies of art, Massachusetts, Hieronymus Bosch: Garden of earthly delights .

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Un libro de horas para el papa Alejandro VI yla miniatura ~ Un libro de horas para el papa Alejandro VI y la miniatura flamenca del Renacimiento Amadeo Serra Desfilis. Universidad de Valencia Este artículo estudia un libro de horas conservado actualmente en la Biblíotheque Royale Albert 1 en Bruselas (ms. IV. 480).

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Scriptures - Church Of Jesus Christ ~ Doctrine and Covenants. Pearl of Great Price. Study Helps

eBooks@Adelaide has now officially closed / University ~ We are very grateful to you all for your patronage and support over the years. The University of Adelaide Library is proud to have contributed to the early movement of free eBooks and to have witnessed their popularity as they grew to become a regular fixture in study, research, and leisure.

GAUDIUM ET SPES - Vatican.va ~ He Who is "the image of the invisible God" (Col. 1:15),(21) is Himself the perfect man. To the sons of Adam He restores the divine likeness which had been disfigured from the first sin onward. Since human nature as He assumed it was not annulled,(22) by that very fact it has been raised up to a divine dignity in our respect too.

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Laudato si' (24 May 2015) / Francis ~ So, before considering how faith brings new incentives and requirements with regard to the world of which we are a part, I will briefly turn to what is happening to our common home. 18. The continued acceleration of changes affecting humanity and the planet is coupled today with a more intensified pace of life and work which might be called “rapidification”.

Descargar revista completa - Pasos - MAFIADOC.COM ~ In the past, however, before the development of mass tourism, this image was depicted in the realm of literature: diaries, novels and travel reports offered the representation of distant countries and places, and played a crucial role in creating the desire for visiting them. PASOS. Revista de Turismo y Patrimonio Cultural, 10(4). Special Issue .

The Church in London, Canada - Messages ~ On the first page of the Bible, God says, “Let Us make man in Our image, according to Our likeness; and let them have dominion.” So we see image and dominion. The meaning of our existence is God's eternal purpose; apart from God's purpose we have no meaning. God's purpose can be summarized in these two words: image and dominion.

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"THE LIGHTHOUSE ~ The wheelbarrow, the lawnmower, the sound of poplar trees, leaves whitening before rain, rooks cawing, brooms knocking, dresses rustling--all these were so coloured and distinguished in his mind that he had already his private code, his secret language, though he appeared the image of stark and uncompromising severity, with his high forehead and his fierce blue eyes, impeccably candid and pure .

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